On May 30, 2009, Seth Abramson, having read Mikhail Epstein on Russian Metarealism and Conceptualism, realized to his surprise and chagrin that he was an American Metarealist. On that same date J J Gallaher commented beneath Seth's post and made a post on his own blog wherein that for him Conceptualism would be more fun. He had been interested in Hyperrealism in painting. Epstein saw the two he wrote about as opposites with all others somewhere between them. In painting, metarealism involves depicting a mood while hyperrealism's goal is to equal the level of perfection reached by digital photography. If you allow a broad secular definition of transcendence, all artists ((musicians, painters, sculptors, architects, dancers, poets, and similar others) of whatever persuasion and in whatever medium)) strive for transcendence, a reaching beyond. Among the results of a Google metarealism search are: Wikipedia introduction - Tendreams introduction - a Google Books result - Abramson's post - Gallaher's post --- One result a Google hyperrealism search garners is: Wikipedia introduction rho00362
Wednesday, July 22, 2009
Metarealism Hyperrealism and Transcendence
Tuesday, March 31, 2009
Rhetoric Questings
On Volume in Poetry is a provocative essay in his continuing effort to define a space hundreds of poets are exploring from hundreds of directions. Names for this space have been proposed: Third Way, Elliptical, American Hybrid. Perhaps it'd be best to let it be nameless. The only other option is to make believe Ron Silliman is Euclid. Then it could be named: Non-Silliman Poetries, or something to that defect. - Read Mr. Abramson's essay and especially the comments by upinVermont, Art Durkee, and Curtis Faville in this order. In northern Wisconsin near Lake Superior the young poet, Aaron Apps, posted Poet as Platypus: a fine example of the integrated thinking prevalent among many younger poets. Reading it will benefit your brain. Charles Bernstein and William Blake are stars in it. rho00326